Medusa
Set of 2 Skirts
A set of two skirts inspired by Ancient Grecian fashion, architecture, and mythology as well as commentary on social norms of the time.
Skirt 1: Pencil Skirt
Eudaimonia Skirt
Research
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Sexualization limits a persons' value to sexual appeal
Negates the naturalness and beauty of nudity
Contrasts the sacredness of the nude body in Ancient Greece
Nudity does not equal sex
Nothing inherently sexual about nudity
You can be sexual with clothes on and not sexual with clothes off
Nothing immoral or wrong about human bodies
The spread of Christianity changed the positive association to sin and shame
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Nudity was used symbolically to display heroes
Powerful, ideal, beautiful
"By presenting an idealized nude, they were showing the rest of the world they were powerful"
Male nudes dominated until 4th century BC, with figures of Aphrodite
Before the Greeks, other cultures depicted nudity as a sign of weakness or shame
Focus
My goal is to design a skirt that symbolizes power in nudity, instead of sex, similar to how Gods were depicted in Ancient Greece
Liberate the body
See bodies as beautiful instead of sexual
Heroism in the female body
Ideation
Final Design
Skirt 2: Experimental Skirt
Gorgon Skirt
Research
Representation of Medusa
Medusa had great beauty that not even Poseidon could resist
When Medusa didn’t reciprocate his advances he forced himself upon her
She remains a symbol of survival against sexual assault
Medusa was originally depicted as “hideous” but over time, her appearance has become more feminized
Femme fatale
Modern women often wear snake headdresses to depict power, sexuality, and their acknowledgement of their emerging roles in society and politics
My goal for this experimental skirt is to design a skirt that symbolizes Medusa and her femininity as well as her story.
Remain symbolic instead of literal
Show the story of Medusa
Represent femininity